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Benedicte Maurseth: Mirra review | Jude Rogers' folk album of the month

(Hubro)Rhythmic repetitions and rustling textures evoke the traditional music and ecological harmony of Maurseth’s native NorwayA hardanger fiddle player from the fjord-and-mountain-filled region of Norway, where the instrument comes from, Benedicte Maurseth explores traditional music, nature and landscape influenced by the idea of ecosophy, a philosophy of ecological harmony. From childhood, she studied under master hardanger fiddler Knut Hamre, exploring the tunes, styles and effects associated with her instrument: its sympathetic strings, funnelled under the fingerboard, are particularly hypnotic, vibrating in response to the notes resonating above, as they do on the sitar and sarangi.A follow-up to Maurseth’s 2022 Nordic music prize-winning Hárr, Mirra is named after an old dialect word describing wild reindeer running together in a circling pattern. Norwegian folk’s rhythmic repetitions feed Maurseth’s intricate compositions (as do the influences of minimalism and Krautrock), b...


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