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Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity

Eschewing the fairyfloss hooks of her earlier work, the Australian’s third album is both more mature and less immediately palatableGet our weekend culture and lifestyle emailAlmost all of Hatchie’s music could slot frictionlessly into a coming-of-age film. Her songs, mostly, are misty-eyed ruminations on puppy love and its ensuing devastation; they yearn for a redamancy that feels both fated and vexingly out of reach. You can imagine Harriette Pilbeam’s mille-feuille harmonies soundtracking a high school prom dappled with a disco ball’s refractive glimmer, or picture her fleecy guitars over a montage of light teenage debauchery. These are tracks prefabbed for telegraphing big feelings; everyone knows the outsize melodrama of a first, second or 20th crush.Liquorice, the title of Pilbeam’s potent third album, winks at her 2018 breakout EP, Sugar and Spice. That formative work was a candy blast of dreampop, emphasis on pop – indebted as much to Carly Rae Jepsen as Cocteau Twins, whose ...


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