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House of Guinness review – James Norton’s pheromones positively sizzle off the screen

With smarts, heart and serious sex appeal, this fine drama from Peaky Blinders’ Steven Knight is an irresistible romp – like Succession, only over a booze empire. Knight has never made a better show than thisYou may judge a show’s success by the number of imitators that follow: to see how much TV commissioners envied the popularity of Slow Horses, look at the recent uptick in wry dramas about spies and/or shambling outcasts who work in a grotty basement but get the job done. Another show with that status is Peaky Blinders, writer Steven Knight’s swaggering epic about a (real) Birmingham crime gang between the wars.What’s unusual about the post-Blinders shows is that the author of the towering original has tended to write the pretenders to the throne himself: Knight sought to develop the formula earlier this year with A Thousand Blows, a series about a different historical crime gang, and with his new Netflix show House of Guinness, he seems to be mining the same seam. The family her...


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