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It Used to Be Witches by Ryan Gilbey review – an idiosyncratic guide to queer cinema

This engaging and experimental book explores the complex politics of LGBTQ+ representation in filmFor the British film critic Ryan Gilbey, “cinema and sexuality have always been as closely intertwined [ ] as the stripes on a barbershop pole”. His new book is a bricolage of memoir, criticism and interviews with film-makers that explores the personal and political dimensions of this coupling. It opens with the author in Venice, preparing to give a lecture on cinema; writing in the third person, Gilbey describes himself as the “Gustav von Aschenbach of easyJet”, a reference to the ageing, lustful composer from Thomas Mann’s Death in Venice (played by a moustachioed Dirk Bogarde in Luchino Visconti’s 1971 film adaptation). Gilbey identifies with Aschenbach only because he remembers how his own once-hidden sexuality devitalised him: the closet “render[ed] him elderly before he had so much as touched puberty”. He employs the third person off and on throughout the book....


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