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‘Morally questionable’: inside the epic Lars von Trier exhibition in Copenhagen

It’s got colliding planets, women in peril and an angry phone-in host we explore a show inspired by the director’s themes that refuses to shy away from his problematic sideI am not even inside the building but a creeping sense of foreboding has already set in. As I try to find the entrance to Nikolaj Kunsthal, a gothic-style former church in Copenhagen, I hear the lamenting strings of Wagner’s Tristan und Isolde – the soundtrack to Lars von Trier’s 2011 end-of-the-world film Melancholia. Inside, I take a seat in a tent-like structure, similar to the one in the film, and watch as a planet hurtles towards Earth, Wagner still blasting away. Nearby lies a long table, covered in white linen and laid out for the celebration of a lifetime – but clearly abandoned midway, and now adorned with dead flowers and burnt-out candelabras.Upstairs, black and white projections – a ticking clock, trains moving through postwar Germany, scenes of sex and drowning – play as the ominous male voice that fe...


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