Hannah’s second feature about her husband follows him on tour, but the offstage footage is rather less compelling than the musicDaryl Hannah has made another film (after Paradox in 2018) about her musician husband Neil Young; this one is about his recent 15-date solo tour of outdoor arenas on the US west coast. It works best when the living legend is on stage, cheerfully and unselfconsciously performing just like it’s 1972 and regaling the whooping audience with his comments: “Steve Stills gave me this guitar – I wrote a lot of songs on this sucker!”; “I’m so happy I was here before AI was born!” He really is utterly open and unpretentious.But the movie itself tests the fanbase loyalty to the limits by being pointlessly and uninterestingly shot in arthouse black-and-white (though it exasperatingly bleeds out into colour over the closing credits) and by including an awful lot of material on the tour bus which is – how to put this? – not very interesting. Neil likes to ride up front w...