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Plainclothes review – shame and anxiety in entrapment yarn about a gay cop going undercover

A quietly observed New York police story explores desire, friendship and the pressures of identityOne day, someone is going to make a film about a cop who goes undercover and doesn’t get too close to the people he’s spying on and doesn’t start questioning his own identity and life choices. Until that day comes, here’s Carmen Emmi’s drama about a cop in early 90s New York who is part of an entrapment team at a suburban shopping mall prosecuting gay men who cruise the bathrooms (a type of police work that you might think went out in the era of Alan Turing).Tom Blyth plays Lucas, an undercover officer suffering from depression after the death of his dad and breakup with his girlfriend to whom he confessed having feelings for men; his nervous unease is not made any easier by a loudmouthed homophobic uncle at family gatherings. The movie is interspersed with Lucas’s anxiety-flash glimpses of his own life, significantly shot in the same dull, flat analogue video that the cops use to recor...


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