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REVIEW: ‘Mickey 17’ sends in the clones in a devilish Bong Joon Ho satire

“Mickey 17” is the latest firecracker placed between our toes by the South Korean director/prankster/genius Bong Joon Ho. It’s his first film since “Parasite” became the first foreign language movie to win a best picture Oscar in 2020, and while it’s not his best work, “Mickey 17” is still a great deal of acrid fun. […]


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