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Scriabin: Vers la Flamme album review – Sudbin masters and humanises fourth and 10th sonatas

Yevgeny Sudbin(BIS)The pianist showcases Scriabin’s creative journey from Chopinesque preludes to utterly original modernism, shining bright in his exquisite treatment of the early worksOne of Yevgeny Sudbin’s first discs for the BIS label in 2007 was a Scriabin recital. It included three of the piano sonatas alongside a selection of miniatures that ranged right across Scriabin’s composing career, and, for his 25th release on the label, Sudbin has returned to the same composer and the same programming scheme. Though it’s the very late, intensely compressed poem Vers la Flamme from 1914 that provides the album’s title, it’s the two sonatas here, the fourth and the 10th, that provide the weight and focus, with a selection of smaller-scale pieces – selections of preludes from Scriabin’s Op 11 and Op 16, and études from Op 8 and Op 42, as well as the B minor Fantasie Op 28. The disc plots out the creative journey that Scriabin made, from its Chopinesque beginnings in the preludes, to th...


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