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A film about an audacious art heist? Inside The Mastermind, the timeliest movie ever

Just days after the Louvre theft comes this drolly unconventional gallery robbery drama. Director Kelly Reichardt talks about solving crimes as a kid – and casting Josh O’Connor as a crook in autumnal knitwearThe term “cosy crime” describes the reassuring, cardigan-swaddled whodunnits that currently dominate both page and screen, but it carries different connotations for Kelly Reichardt, director of the new heist movie The Mastermind, as it surely must for anyone from a law enforcement family. Reichardt’s mother was an undercover narcotics agent, her father a crime scene detective. When the couple split up, she also gained an FBI agent as a stepfather. During weekends with her dad, who moved into a house with four other recently divorced colleagues, she would sometimes be given mysteries to solve, like some kind of junior Thursday Murder Club.“It sounds really cute,” says the 5ft-tall, 61-year-old director, whose film could not feel more timely, given the Louvre heist. “But I was on...


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