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Amadeus review – this Mozart series is a pale, petty version of the movie it’s based on

Will Sharpe and Paul Bettany’s new TV drama is flat, airless and banal. It’s a crass affair with a thin, half-hearted performance from SharpeHere’s my position. If you are going to create a miniseries about the life, death and music of one of the defining geniuses of the last 1,000 years of western civilisation, and if you are going to use as your source material a script for a great play that was made into a near-perfect film beloved by almost everyone for its wit and immense, profound themes rendered accessible and moving, and for the fact that it had two of the most extraordinary performances ever committed to what may still then have been celluloid – well, you had better be pretty damn sure that you are bringing something new, exciting, different, richer, cleverer, even more illuminating to the table. Otherwise you are going to look like a bit of a berk.And so, my friends, to the new six-part drama Amadeus, about the life, death and music of Wolfgang A Mozart, one of the definin...


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