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Anhell69 review – an impassioned eulogy for Colombia’s queer renegades

Theo Montoya collages an unfinished phantom horror film, gothic Medellín cityscapes and interviews with lost friends into a transgressive work of cine-protestThe best kind of goth is the Latino goth. That much is clear throughout this documentary lament for the Colombian city of Medellín, for which director Theo Montoya narrates his elegy from within a casket. Luckily, he is still alive – unlike eight of the doomy-looking LGBTQ+ renegades who speak about their lives on camera here, having killed themselves or died of drug overdoses since filming. It is implied they are victims by proxy of a kind of ambient socio-cultural violence that is a hangover from the cartel days.Partly constructed out of audition interviews with actor hopefuls, Anhell69 is the remnant of Montoya’s unfinished movie, of which we see extracts: it takes place in a dystopian Medellín in which the preponderance of the dead and a lack of cemetery space has led to red-eyed phantoms walking the streets. These revenant...


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