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Circa/LPO/Gardner review – Exhilarating, exquisite and extraordinary as Ravel melds with acrobatics

Royal Festival Hall, LondonMultitudes festival opened with a stunningly effective collaboration between the Australian circus company and the London Philharmonic OrchestraThe Southbank Centre’s cross-genre Multitudes festival opened with a double bill of Ravel’s ballets Daphnis et Chloé and La Valse, played by the London Philharmonic Orchestra under Edward Gardner, and performed by the Australian company Circa with choreography by their artistic director Yaron Lifschitz. Circa’s style amalgamates circus and acrobatics with contemporary dance, and the combination of athletic beauty, agility and strength suits Ravel uncommonly well.Rather than use the music as accompaniment to display, Lifschitz worked with the score rather than against it, though he dispensed with Daphnis et Chloé’s narrative, replacing it with a sequence of contrasting abstract tableaux, now exhilarating,now erotic, always rooted in the pulse and throb of the music, played with exquisite finesse and detail by the LP...


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