4 d. ago 'Dangerous Animals' review: Yellowstone starlet in sharks horror up there with Jaws

Jai Courtney stars in "Dangerous Animals," a movie about sharks that also features a serial killer. The film is a worthy birthday present to "Jaws," celebrating its 50th anniversary this summer.

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5 d. ago MOVIE REVIEW: We see if 'Final Destination: Bloodlines' breathes new life into horror franchise

Sixth instalment honours series' legacy as well as adding to its lore.

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5 d. ago Gary Clarke Company: Detention review – horror and humour in stand against Section 28

The Place, London The Yorkshire-born dance artist concludes his social historical trilogy on the Thatcher era by celebrating resistance to homophobiaGary Clarke grew up in a Yorkshire mining village in the 1980s and 90s, and the scars left by Margaret Thatcher’s government (and her Tory successors) have informed an impressive dance theatre trilogy that lies somewhere between social history project and cri de coeur. Detention is the final part of the trilogy that began with Coal, looking at the mining industry, followed by Wasteland, about the nascent rave culture that sucked in disaffected youth in the midst of those mines’ closures. Detention focuses on the Section 28 legislation brought in in 1988, forbidding the “promotion” of homosexuality. This is the backdrop against which Clarke, and every other young gay man and woman at that time grew up. We see dehumanising political speeches, the bullying, the self-hatred; the bleakness is tangible.Yet while Detention is about the effects...

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2 w. ago MOVIE REVIEW: We see if 'It Feeds' satisfies horror fans' taste buds

Little originality on show but still works. on its own merits - just.

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3 w. ago The Rocky Horror Show review: Jason Donovan deals with malfunction like a true pro in flawless show

Review: The Rocky Horror Show was being played at

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3 w. ago Alpha review – Julia Ducournau’s disjointed body horror is an absolute gamma

Cannes film festivalThe winner of the Palme d’Or for Titane delivers Cannes’ first true turkey: the tonally inept tale of a girl with a dodgy tattoo and a disease that turns people to marbleStrident, oppressive, incoherent and weirdly pointless from first to last Julia Ducournau’s new film Alpha has to be the most bewildering disappointment of this year’s Cannes competition; even an honest lead performance from Mélissa Boros can’t retrieve it.I admit I was agnostic about her much-acclaimed Palme d’Or winner Titane from 2021 but that had an energised purpose lacking in Alpha and Ducournau’s excellent 2016 debut Raw is still easily her best work. Continue reading...

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4 w. ago Fred and Rose West: A British Horror story is lazy, cynical and misleading true

New documentary feels cheap as chips and leaves out a crucial figure in the case. The only part of it worth watching is the testimony from the victims’ older sisters

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4 w. ago Fred and Rose West: A British Horror Story review – this sordid series doesn’t even reveal the worst of it

The case of the serial killer couple is so harrowing that everyone involved is still haunted to this day. But is there really any point in making them recall these hideous crimes? And why have crucial details been omitted?Another day, another addition to the “point and gasp” school of true crime documentaries; one which adds nothing to our understanding of a terrible crime or of those who committed it, nothing to our safety as individuals or as a society, nothing except our appetite for voyeurism and the normalisation of it. Most true crime documentaries are in this school. Fred & Rose West: A British Horror Story is no exception. Perhaps the sordid, exploitative aspects of the genre are felt more strongly here precisely because it is one of our own stories, and one many of us remember reading about in the papers and seeing on the news as the awful discoveries were made at the time. Usually we watch these films at one remove. We can at least feel we are learning about how terrib...

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4 w. ago Final Destination: Bloodlines review – death is back and more fun than ever

The jubilantly gory horror franchise returns with a hugely entertaining sixth installment which sets up an entire family tree for the slaughterFinal Destination, the giddy and splatterific franchise where the grim reaper finds increasingly cartoonish and comical ways to get back at those who think they’ve cheated death, has been sitting things out for more than a decade. Maybe that’s telling.In the time since, we saw the rise of so-called “elevated horror”, a trend that arguably began with 2014’s The Babadook and enjoyed its biggest success with last fall’s Longlegs. Those earnestly artful films tend to shrug off the horror genre’s baser pleasures to instead mine drama, trauma and influences such as Stanley Kubrick, Roman Polanski and Nicolas Roeg. For those feeling a bit trauma-fatigued, I’m happy to say Final Destination is not only back but better than ever. Continue reading...

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