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Gary Clarke Company: Detention review – horror and humour in stand against Section 28

The Place, London The Yorkshire-born dance artist concludes his social historical trilogy on the Thatcher era by celebrating resistance to homophobiaGary Clarke grew up in a Yorkshire mining village in the 1980s and 90s, and the scars left by Margaret Thatcher’s government (and her Tory successors) have informed an impressive dance theatre trilogy that lies somewhere between social history project and cri de coeur. Detention is the final part of the trilogy that began with Coal, looking at the mining industry, followed by Wasteland, about the nascent rave culture that sucked in disaffected youth in the midst of those mines’ closures. Detention focuses on the Section 28 legislation brought in in 1988, forbidding the “promotion” of homosexuality. This is the backdrop against which Clarke, and every other young gay man and woman at that time grew up. We see dehumanising political speeches, the bullying, the self-hatred; the bleakness is tangible.Yet while Detention is about the effects...


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