75 m. ago Glastonbury 2025 reviews, Saturday: Pulp, Haim, Raye, Brandi Carlile, and Bob Dylan tribute band

Highlights from Jarvis Cocker’s not-so surprise performance to Haim on the Pyramid Stage

Politics

1 hour ago Glastonbury 2025: Saturday with Raye, Haim, Pulp, Kneecap, Charli xcx and more – follow it live!

There’s a stacked bill on offer at Worthy Farm. We’ll be bringing reviews, news, pictures and more throughout the day, with Skepta replacing Deftones and Neil Young headlining the PyramidWhen Ichiko Aoba was a child, experiencing loneliness and isolation, she lost herself in the fantasy worlds created by animation studios such as Studio Ghibli and Disney. The Japanese folk singer-songwriter further nurtured that interest in intricate world building as a form of escapism through creating her music – and despite its niche and experimental composition, she has found global popular appeal built up from a significant cult following.She sings entirely in Japanese so live I cannot dissect her lyrics, but you can parse her themes from the visuals and from her tone: the stage is draped with willows and Aoba’s airy vocals are atmospheric and expansive, bringing to mind the serene and tranquil ancient forests of Japan like Aokigahara or Yakushima. You half expect a deer to gallop on stage and ...

Politics

2 h. ago Glastonbury 2025: Saturday with Haim, Pulp, Kneecap, Charli xcx and more – follow it live!

There’s a stacked bill on offer at Worthy Farm. We’ll be bringing reviews, news, pictures and more throughout the day, with Skepta replacing Deftones and Neil Young headlining the PyramidWhen Ichiko Aoba was a child, experiencing loneliness and isolation, she lost herself in the fantasy worlds created by animation studios such as Studio Ghibli and Disney. The Japanese folk singer-songwriter further nurtured that interest in intricate world building as a form of escapism through creating her music – and despite its niche and experimental composition, she has found global popular appeal built up from a significant cult following.She sings entirely in Japanese so live I cannot dissect her lyrics, but you can parse her themes from the visuals and from her tone: the stage is draped with willows and Aoba’s airy vocals are atmospheric and expansive, bringing to mind the serene and tranquil ancient forests of Japan like Aokigahara or Yakushima. You half expect a deer to gallop on stage and ...

Politics

4 h. ago Glastonbury 2025: Saturday with Pulp confirmed as secret act, Kneecap, Charli xcx and more – follow it live!

There’s a stacked bill on offer at Worthy Farm. We’ll be bringing reviews, news, pictures and more throughout the day, with Skepta replacing Deftones and Neil Young headlining the PyramidWhen Ichiko Aoba was a child, experiencing loneliness and isolation, she lost herself in the fantasy worlds created by animation studios such as Studio Ghibli and Disney. The Japanese folk singer-songwriter further nurtured that interest in intricate world building as a form of escapism through creating her music – and despite its niche and experimental composition, she has found global popular appeal built up from a significant cult following.She sings entirely in Japanese so live I cannot dissect her lyrics, but you can parse her themes from the visuals and from her tone: the stage is draped with willows and Aoba’s airy vocals are atmospheric and expansive, bringing to mind the serene and tranquil ancient forests of Japan like Aokigahara or Yakushima. You half expect a deer to gallop on stage and ...

Society

5 h. ago Glastonbury 2025: Saturday with Pulp confirmed as secret gig, Kneecap, Charli xcx and more – follow it live!

There’s a stacked bill on offer at Worthy Farm. We’ll be bringing reviews, news, pictures and more throughout the day, with Skepta replacing Deftones and Neil Young headlining the PyramidWhen Ichiko Aoba was a child, experiencing loneliness and isolation, she lost herself in the fantasy worlds created by animation studios such as Studio Ghibli and Disney. The Japanese folk singer-songwriter further nurtured that interest in intricate world building as a form of escapism through creating her music – and despite its niche and experimental composition, she has found global popular appeal built up from a significant cult following.She sings entirely in Japanese so live I cannot dissect her lyrics, but you can parse her themes from the visuals and from her tone: the stage is draped with willows and Aoba’s airy vocals are atmospheric and expansive, bringing to mind the serene and tranquil ancient forests of Japan like Aokigahara or Yakushima. You half expect a deer to gallop on stage and ...

Society

7 h. ago Glastonbury 2025: Saturday with Kneecap, Charli xcx, secret act Patchwork and more – follow it live!

There’s a stacked bill on offer at Worthy Farm. We’ll be bringing reviews, news, pictures and more throughout the day, starting with sets from Kaiser Chiefs and Brandi CarlileWhen Ichiko Aoba was a child, experiencing loneliness and isolation, she lost herself in the fantasy worlds created by animation studios such as Studio Ghibli and Disney. The Japanese folk singer-songwriter further nurtured that interest in intricate world building as a form of escapism through creating her music – and despite its niche and experimental composition, she has found global popular appeal built up from a significant cult following.She sings entirely in Japanese so live I cannot dissect her lyrics, but you can parse her themes from the visuals and from her tone: the stage is draped with willows and Aoba’s airy vocals are atmospheric and expansive, bringing to mind the serene and tranquil ancient forests of Japan like Aokigahara or Yakushima. You half expect a deer to gallop on stage and be fed by he...

Society

11 h. ago Glastonbury 2025: Saturday with Charli xcx, Kneecap, secret act Patchwork and more – follow it live!

There’s a stacked bill on offer at Worthy Farm. We’ll be bringing reviews, news, pictures and more throughout the day, starting with sets from Kaiser Chiefs and Brandi CarlileWe’re expecting reviews of Kaiser Chiefs, who I can faintly hear on the Pyramid stage from Guardian HQ – sounds loud!In the meantime, we’ve had a flurry of publishes overnight, including this intrepid report from my colleague Chris Godfrey, who spent all day Thursday (and a bit of Friday) trying the best fare at Glastonbury. Continue reading...

Society