3 h. ago Cow/Deer at Royal Court Jerwood: 'wordless oddity from an animal's perspective'

This unique show features sound work by Foley artists which encourages audiences to close their eyes and be plunged into the world of a cow and a deer

Events

22 h. ago Grimeborn's Lucia di Lammermoor at the Arcola Theatre review: appealingly unconventional

The grit of Grimeborn still feels right at home in Dalston

Politics

8 d. ago Born With Teeth at Wyndham’s Theatre review: seductively clever work from Ncuti Gatwa

Liz Duffy Adams blends intrigue and shifty eroticism with in-jokes and a discourse on creativity in this playful examination of Kit Marlowe and Shakespeare’s relationship

Politics

8 d. ago Review: Born with Teeth starring Ncuti Gatwa at Wyndham’s Theatre in London’s West End

Review: Born with Teeth starring Ncuti Gatwa at Wyndham’s Theatre in London’s West End  Time Out Worldwide

Politics

1 week ago Interview at Riverside Studios review: glib, overcooked, and with zero chemistry

Robert Sean Leonard is a washed-up political journalist interviewing an influencer played by Paten Hughes in this glib two-hander

Politics

2 w. ago Juniper Blood at the Donmar Warehouse review: a poor retread of Mike Bartlett's better work

The play feels thin and undercooked, the plot twists and emotional revelations unearned

Events

2 w. ago Edinburgh International Festival dance review: Figures in Extinction

The climate crisis is addressed with empathy, wit and assuredness in a new collaboration between Simon McBurney and Crystal Pite, writes Kelly Apter

Culture

2 w. ago As You Like It review – Ralph Fiennes’ sombre, stately directorial stage debut

Theatre Royal BathThe actor’s minimal staging of the Shakespeare comedy favours stillness and feeling over comic fizz, with moving performances from Gloria Obianyo and Amber JamesRalph Fiennes has proven himself to be a Shakespearean actor with gravitas over the decades. He brings that weight to his directorial stage debut of a Shakespeare play – and a comedy at that. Not exactly known for his comic chops (there is the odd Wes Anderson film in his oeuvre), Fiennes brings a depth to this pastoral about tyrant brothers and exiles that dares to venture into sombreness. It gives the drama a fuller body without taking away from its mischief.Played in modern dress, the court of Duke Frederick (Patrick Robinson) is less a kingdom than a suited and booted corporation. Although his usurped brother, Duke Senior (also played by Robinson) bears vestiges of the boardroom in his demeanour, he and his band of self-exiled dukes seem to have built an alternative community in the forest of Arden, inc...

Politics

3 w. ago The Gathered Leaves at the Park Theatre review: a slowly beguiling, elegant revival

The script is ponderous at times, but its careful handling of themes like autism and racism eventually exerts a cumulative power

Politics

3 w. ago Mary, Queen of Scots review – bold ballet brings the royal courts bang up to date

Festival theatre, EdinburghMary births a balloon and Elizabeth I towers on stilts in Sophie Laplane and James Bonas’s production about the queens’ distant relationshipThe second half of this show is much better than the first. It’s often the way in (loosely) narrative ballet. There’s all the scene-setting and character introductions before you can get to the guts of it – the relationships, the tension, the betrayal. Scottish Ballet’s new Mary, Queen of Scots, created by choreographer Sophie Laplane and director James Bonas, stumbles in the setup. Sometimes it’s just helpful to know where we are and who’s who. How would we know this scene where the men have porky prosthetic bellies protruding from their jackets is the French court, for example?The central conceit is that this is Mary’s story told through her cousin Elizabeth I’s eyes and the creators have set themselves a challenge there: in literature, one person can easily tell another’s story, but you can’t dance someone else’s da...

Politics

3 w. ago Edinburgh International Festival dance review: Scottish Ballet's Mary, Queen of Scots

The iconic title character is upstaged by an older Queen Elizabeth in Scottish Ballet’s vivid portrayal of the parallel courts of Scotland and England, writes Lucy Ribchester

Politics

last month Brigadoon at Regent’s Park Open Air Theatre review: it's a neglected classic for a reason

There are some fine performances here, but it’s an effort to tough your way through the more saccharine moments

Society