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‘He said I sounded hysterical’: Celia Paul on lover Lucian Freud, his cold friends and the ‘devastating’ YBAs

In prose and in paint, the great artist Celia Paul is exorcising the ghosts of her past – from the cruelties of her lover Freud, to his offhand cohorts, and the YBA revolution that declared painting deadPainter Celia Paul has lived in the same flat in Bloomsbury – bought for her by her then lover Lucian Freud – for 40 years. To ascend to it, up the 80 steps to bring you level with the pediment of the British Museum opposite, is to enter a different world. The main room contains little but a lumpy and ancient chaise longue and a metal-framed bed. One wall is stacked with freshly stretched empty canvases. Next door a mountain range of old sheets, stiff and stained with paint, obscure what might be a sofa. There is a huge, dusty mirror in which we both appear, spectrally: she a slight figure in a brown floor-length skirt, her slippers paint-encrusted. I ask her if she sleeps in the metal-framed bed. Sometimes, she says, but she shows me her bedroom. It is equally spartan, but for the i...


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