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‘He should be known as a film music revolutionary’: revitalising the legacy of Czech composer Zdeněk Liška

The electroacoustic pioneer scored dozens of pictures – and communist propaganda. Too successful to be persecuted by the politburo but largely forgotten when he died, his music is being revived by a new archival seriesZdeněk Liška became one of the eastern bloc’s pioneers of electroacoustic music by accident. After breaking through making music for ads and animations, the revolutionary film-makers of the 1960s Czechoslovak new wave asked him to soundtrack their movies, which he took as his greatest inspirations. With the help of radio engineering enthusiasts at Czechoslovakia’s film powerhouse, Barrandov Studios, he could imitate the whoosh of a spaceship or birds chirping. He composed underwater electroacoustic symphonies and music to be played on typewriters. Despite his innovations, he famously proclaimed: “I only write music under the pictures.”Liška was as productive as he was innovative: from the late 1950s to the late 1970s, he would score eight feature films a year, as well ...


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