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How The Brutalist made its disorienting, dazzling score: ‘It was hammers and screws making music!’

The Oscar-nominated soundscape of Brady Corbet’s awards frontrunner was often recorded before filming had begun, before being blasted out of speakers onto the set of the film during production. Kevin E G Perry speaks to composer Daniel Blumberg about his very novel approach to music – and his surprise that it’s been so embraced


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