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Innocence review – monumental achievement shows how essential opera can be

Adelaide festival Finnish opera of staggering depth by Kaija Saariaho and directed by Simon Stone, set in the aftermath of a school shootingGet our weekend culture and lifestyle emailIt’s a cliche as regular as clockwork in the aftermath of an inexplicable tragedy: “That was the day we lost our innocence”. But do we really start from a place of innocence or are we always somehow complicit in acts of violence? Do perpetrators attack from without, or are they an expression of something abominable within the community, its monstrous id? These questions haunt the halls of Finnish composer Kaija Saariaho’s extraordinary contemporary opera as surely as they’ll disturb the dreams of its audience.Innocence opens with a deeply ominous series of chords from the lowest keys on the piano, as swirling strings and smirking bassoons mix with the trills and runs from the higher woodwinds, punctuated by the occasional crash of percussion. Atmospheric doesn’t begin to cover it. The music has shades o...


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