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Kylie Minogue review – house, techno doom metal? This is a thrilling reinvention of a pop deity

OVO Hydro, GlasgowHer Tension world tour reaches the UK, and it’s the work of a relaxed but inherently flamboyant singer with a bold new vision for her back catalogueThe lights go down in Glasgow, and Kylie Minogue ascends from underneath the stage like a pop deity: head-to-toe in electric blue PVC, sitting in the centre of a giant neon diamond. After acclaimed runs in Australia and the US, she’s kicking off the UK leg of her Tension tour, celebrating an era that started two years ago with lead single Padam Padam – a phenomenon everywhere from gay clubs to TikTok – and continued with her equally hook-filled albums Tension and Tension II.In contrast to some recent over-complicated arena tour concepts from the likes of Katy Perry, the Tension show is admirably straightforward after Kylie’s big entrance, allowing her to remain the focus at all times. She races through hits – some condensed into medleys – at an astonishing pace; from 1991’s What Do I Have To Do, to Good As Gone from Ten...


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