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‘People like happy endings. Sorry!’ Squid Game’s brutal finale hits new heights of barbarity

As the shockingly violent anticapitalist hit returns, its star and creator talk about spinoffs, the dangers of desensitisation, David Fincher’s mooted remake – and why they couldn’t say no to tie-ins with McDonald’s and UberWhen season two of Squid Game dropped, fans were split in their response to Netflix’s hit Korean drama. While some viewers loved the dialled-up-to-11 intensity of everything – more characters, more drama, more staggering brutality – others found the tone relentlessly bleak. And this was a show whose original concept – a cabal of rich benefactors recruit poor people to compete in bloodsports for cash – was already plenty dark. Anyone hoping the show’s third and final season, arriving this week, will provide a reprieve should probably just rewatch Emily in Paris instead.“The tone is going to be more dark and bleak,” says series creator Hwang Dong-hyuk, through an interpreter. “The world, as I observe it, has less hope. I wanted to explore questions like, ‘What is t...


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