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Sam Fender didn’t need his Mercury prize win – but he earned it with his incisive social realism

They could have given the award to an album that wasn’t already a huge hit – but Fender’s blend of kitchen-sink drama and stadium choruses is expertly done‘You can expect all the usual excitement,” offered host Lauren Laverne at the start of this year’s Mercury prize ceremony. It’s the kind of thing people hosting awards shows are duty-bound to say, but the use of the word “usual” suggested she was diplomatically overlooking last year’s event, which – through no fault of the album that won, English Teacher’s This Could Be Texas – had all the excitement of a wake.The Mercury had lost its corporate sponsorship, necessitating what host Annie Mac called “an intimate celebration of this year’s shortlist”, in the same way that an estate agent might call a flat with the shower next to the cooker “cosy”. Continue reading...


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