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Sanctuary by Marina Warner review – the power of stories in an age of migration

An ambitious meditation on the ability of narrative to shape our perceptions of one another and our experience of homeMarina Warner begins this dazzlingly protean book with a distinctly mundane memory. It is the 1950s, she is a young teen, and the highlight of her week is going to the Saturday morning “flicks” with a neighbour’s slightly older daughter. One particular movie scene has stayed with her: it involves a man dressed in a vaguely historical costume who is fleeing for his life. Face contorted with terror, he makes it as far as the door of a cathedral, whereupon he knocks loudly and cries “Sanctuary!” The door opens a crack, the man slides inside, and the Saturday morning audience breaths a collective sigh of relief. Even if the plot points remain hazy – is Robin Hood somehow involved? – the underlying principle needs no explaining. The fugitive has invoked the ancient right by gaining entrance to a designated sacred space. As long as he stays put his pursuers can’t touch him...


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