The director’s witty supernatural thriller joins Psycho, Hereditary, The Brutalist and more – films in which buildings are characters in their own rightThe first more-or-less horror movie in the lengthy, genre-skimming career of director Steven Soderbergh, Presence is a film about grief, trauma, familial dysfunction and abusive masculinity. But it’s also, to a significant and compelling extent, about property. Beginning with a family’s first viewing of a handsome Victorian home in an unidentified stretch of suburbia, the film never ventures outside its walls for the next 85 minutes, as the ensuing chills make us consider the merits of that purchase. Wittily and unnervingly shot from the perspective of the restless spirit roaming its halls, it’s a haunted house film in which much of the tension feels determined by the shape and flow and light and shade of the house itself. It’s a while since I’ve seen a film where I could quite so exactly draw the floor plan of its primary location, ...
Guy Lodge discusses Steven Soderbergh's "Presence," a haunted house thriller where the house itself is a character, and highlights other films where buildings play a significant role, including "Psycho," "Hereditary," "The Conjuring," "House," "The Night House," "Parasite," and "The Lake House." The review also mentions "No Other Land," a documentary about Palestinian lives displaced by Israeli occupation.
