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Tame Impala: Deadbeat review | Alexis Petridis’s album of the week

(Columbia)Australian indie’s breakout star takes a dancefloor diversion, but amid the four-four fun are fears about fame’s effect on his domestic lifeIn May, Dua Lipa introduced a special guest at her Sydney gig: Kevin Parker, who duetted with her on a version of The Less I Know the Better, the biggest hit Parker has ever released under the name Tame Impala. The pair have a longstanding creative relationship – Parker co-produced and co-wrote most of Dua Lipa’s last album, Radical Optimism – but nevertheless made for quite the study in contrasts. She was resplendent in a glittering lace catsuit, stiletto-heeled boots, a fake fur stole draped over her shoulder. Lank-haired, clad in a baggy multicoloured cardigan and a string of wooden beads, Parker looked not unlike a man who had arrived onstage direct from a very long night up at Glastonbury’s stone circle.You could see it as a visual metaphor for Parker’s unlikely journey to pop’s upper echelons which began, improbably enough, while...


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