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Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash

The megastar’s underwhelming new album gets a suitably sub-par cinematic accompaniment offering very little for even the most devoted of fansJust as the sun rises in the east and sets in the west, fans of Taylor Swift will heed the call for new content. Long before the economy-lifting, paradigm-shifting global domination of her Eras Tour, Swift had cultivated a uniquely intense and personal relationship with her fans, even within the reverential world of pop music. That relationship, sustained through Easter eggs, years long parasocial narratives and arguably her own metaverse, can be real and special and nutritive, a steady raft through life’s storms – I’ve been there. But years into her imperial era, Swift’s cyclical feeding of the fan base has started to seem less like an act of mutual devotion and more nakedly exploitative, the many one-off re-releases and special vinyls and limited-edition Target drops like a billionaire’s tax on her most loyal.The latest of these is the Life o...


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