3 d. ago Tessa Rose Jackson: The Lighthouse review | Jude Rogers' folk album of the month

(Tiny Tiger)Moving from dream pop to acoustic clarity, the Dutch-British songwriter delivers her most personal record yet where loss is transformed into something quietly powerfulThe warm sounds of folk guitar provide the roots of Tessa Rose Jackson’s first album under her own name, time-travelling from Bert Jansch to REM to Sharon Van Etten in every strum and squeak. The Dutch-British musician previously recorded as Someone, creating three albums in dream-pop shades, but her fourth – a rawer, richer affair, made alone in rural France – digs into ancestry, mortality and memory.The Lighthouse begins with its title track. Strums of perfect fifths, low moans of woodwind and thundering rumbles of percussion frame a journey towards a beacon at “high tide on a lonesome wind”. The death of one of Jackson’s two mothers when she was a teenager informs her lyrics here and elsewhere: in The Bricks That Make the Building, a sweet, psych-folk jewel which meditates on “the earth that feeds the ga...

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9 d. ago Bruno Mars breaks record for most tickets sold in a single day ahead of his hotly

The Grammy-winning artist, 39, is set to launch his fourth solo studio album, The Romantic, next month, with his single I Just Might released last week.

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1 week ago Julianna Barwick and Mary Lattimore: Tragic Magic review | Safi Bugel's experimental album of the month

(InFiné)The composers’ first collaborative album ebbs from epic, cinematic heights to delicate and dreamy lullabiesAfter years of touring together, Los Angeles-based composers Julianna Barwick and Mary Lattimore have developed what the former refers to as a “musical telepathy”. Tragic Magic, the pair’s first collaborative album, evidences this bond: born out of a short series of improv sessions in Paris, it’s a wonderfully immersive set of new age and ambient tracks, where Barwick’s airy, reverbed vocals and atmospheric synth washes interweave with, and accentuate, Lattimore’s twinkling harp.The album sessions took place shortly after last year’s California wildfires, which the two musicians experienced as residents. Accordingly, tragedy and hope cut through the dreamlike haze of these unfurling compositions. With its delicate harp loop and hushed whispers, opener Perpetual Adoration is as sweet and dreamy as a lullaby, while the gorgeous, moving Haze With No Haze carries a quiet de...

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2 w. ago Robbie Williams says he will ‘ride again’ with Take That and reveals new albums

Britpop, his first album since 2019, is due to be released next month.

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2 w. ago Toni Geitani: Wahj review | Ammar Kalia's global album of the month

(Self-released)The Beirut-born producer’s masterly second album revels in dark tension to cinematic effect, finding beauty in ruinous soundArabic electronic experimentalism is thriving. In recent years, diaspora artists such as Egyptian producer Abdullah Miniawy, singer Nadah El Shazly and Lebanese singer-songwriter Mayssa Jallad have each released records that combine the Arabic musical tradition of maqam and its slippery melodies with granular electronic sound design, rumbling bass and metallic drum programming to create a dramatic new proposition.Beirut-born and Amsterdam-based composer Toni Geitani is the latest to contribute to this growing scene with his masterfully produced second album Wahj (“radiance” in Arabic). Working as a visual artist and sound designer, Geitani is well versed in creating imaginative soundscapes for films such as 2024 sci-fi Radius Collapse, as well as referencing the shadowy nocturnal hiss of producers such as Burial on his dabke-sampling 2018 debut a...

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3 w. ago Iain Ballamy: Riversphere Vol 1 review | John Fordham's jazz album of the month

(Babel Label)The 80s sax star leads an A-list quartet, plus a shared trumpet role for Laura Jurd and Ballamy’s son CharlieOpening 2026’s jazz reviews with a story from the mid-1980s might be risking audience restiveness, but that was the decade in which a far-sighted young saxophonist on the UK jazz scene called Iain Ballamy first appeared on this writer’s radar. The cross-generational lineup and captivating ideas of Riversphere, his first solo release in years, testify to exactly why he has stayed there for 40 years.In their 20s, Ballamy and pianist/composer Django Bates frequently joined forces as two mavericks, skilfully respectful of the classic jazz tradition while adventurously and often mischievously transforming it. They were key figures in a gifted UK generation that created some of the sparkiest European jazz of the 1980s and 90s, most influentially in the revolutionary orchestra Loose Tubes, which brought together genres from old-school swing to vaudeville, improv and ava...

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