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The Last Showgirl review – Pamela Anderson gives performance of a lifetime in rhinestone

The former Baywatch star’s turn as a veteran Vegas dancer single-handedly rewrites her career in Gia Coppola’s bruising and beautiful film A life spent in the service of dreams and fantasy collides with unforgiving reality: Pamela Anderson’s veteran Vegas showgirl Shelly is forced to face a future that no longer has need of her 1,000-watt smile and glitter-smeared decolletage. The third feature from Palo Alto-director Gia Coppola (granddaughter of Francis, niece of Sofia), The Last Showgirl is a wisp of a thing, clocking in at under 90 minutes and shot in just 18 days. The film’s structure, more a series of vignettes than a linear narrative, feels like the fleeting reflections of a life captured in the facets of a mirror ball. It’s initially tempting to dismiss the picture, like its central character with her breathy, little-girl voice, as superficial. But there’s a bruising cumulative power to this melancholy little paean to an ending era. And Anderson, whose character is left ques...


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