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Woman and Child review – drama of rage and pain in the Iranian marriage market

Cannes film festivalSaeed Roustaee’s new film takes aim at a slippery, entitled male who thinks he can lord it over a widow he plans to marryA strange, sad, sombre movie from Iranian director Saeed Roustaee whose last entry at Cannes was the family drama Leila’s Brothers in 2022. This is a story about the randomness of life in the big city, a melodramatic convulsion of grief, rage and pain which has a TV soap feel to its succession of escalating crises. Like Leila’s Brothers, it is about the entitlement of Iran’s menfolk, and how a man – however shiftless, casual and low-status – can somehow pull rank on a woman in the marriage market.Payman Maadi (from Asghar Farhadi’s A Separation) plays Hamid, an ambulance driver in his late 40s with a certain roguish ladies-man charm whose unmarried status raises eyebrows among some of his acquaintances, but who is now engaged to Mahnaz (Parinaz Izadyar). She is a smart, hardworking hospital nurse who is widowed and lives with her sister Mehri (...


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