12 h. ago Explore The White Lotus star Parker Posey's life from film career to romances

The White Lotus star Parker Posey is a well-known actress in the US and has appeared in a string of films alongside some of Hollywood's biggest names - but what about her personal life?

Events

39 h. ago Bridget Jones’ Renee Zellweger lands role with huge Disney show after record

Renee Zellweger's next role after Bridget Jones: Mad About The Boy has been revealed as she's set to star on the fifth season of Only Murders in the Building

Politics

1 week ago 'I wrote Bridget Jones' Diary and there's one major problem with the film today'

From a newspaper column to a novel and a hit movie franchise, Helen Fielding’s character of Bridget Jones has cemented itself into British culture, but how did it happen?

Politics

2 w. ago For 25 years, Bridget Jones has mirrored my own life and career. And just like in the new film, I've been ghosted by my younger lover... LIZ JONES

I have Bridget Jones, and her creator, Helen Fielding, to thank for my career. In 1999, I was asked to write a column. The subheading read: 'She is just like Bridget Jones, except she's real!'

Politics

3 w. ago 'I love Bridget Jones but Mad About The Boy is clumsy, lazy, inappropriate mess – cringe'

Bridget Jones: Mad About The Boy, the latest instalment in my favourite film series, proves to be a mess, having done away with what we all most loved about our loveable heroine, says Emily Malia

Politics

3 w. ago The Last Showgirl review – Pamela Anderson gives performance of a lifetime in rhinestone

The former Baywatch star’s turn as a veteran Vegas dancer single-handedly rewrites her career in Gia Coppola’s bruising and beautiful film A life spent in the service of dreams and fantasy collides with unforgiving reality: Pamela Anderson’s veteran Vegas showgirl Shelly is forced to face a future that no longer has need of her 1,000-watt smile and glitter-smeared decolletage. The third feature from Palo Alto-director Gia Coppola (granddaughter of Francis, niece of Sofia), The Last Showgirl is a wisp of a thing, clocking in at under 90 minutes and shot in just 18 days. The film’s structure, more a series of vignettes than a linear narrative, feels like the fleeting reflections of a life captured in the facets of a mirror ball. It’s initially tempting to dismiss the picture, like its central character with her breathy, little-girl voice, as superficial. But there’s a bruising cumulative power to this melancholy little paean to an ending era. And Anderson, whose character is left ques...

Politics