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Hamnet review – Paul Mescal and Jessie Buckley beguile and captivate in audacious Shakespearean tragedy

Chloé Zhao’s film version of Maggie O’Farrell’s myth-making novel powerfully reimagines the agonising loss of a child as the source of Hamlet’s grand stage drama‘The joys of parents are secret, and so are their griefs and fears ” This is Francis Bacon’s essay Of Parents and Children; maybe they were more secret in his day than ours. This kind of secrecy and revelation is part of Chloé Zhao’s deeply felt romantic fantasy about the origin of William Shakespeare’s tragedy Hamlet. It locates the play’s beginning in the imagined anguish of Shakespeare and his wife Agnes (or Anne) Hathaway at the death of their son Hamnet at the age of 11 in 1596, a few years before the play’s first performance.The nearness of the names is not supposed to be some monumental Freudian slip; there is linguistic evidence that the two could be used interchangeably. The movie is inspired by Maggie O’Farrell’s 2020 novel of the same name – Zhao co-wrote the screenplay with O’Farrell – as well as the 2004 essay T...


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