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The Guide #212: The Taylor Swift backlash has me asking: how much good music can one artist really produce?

In this week’s newsletter: The mixed response to The Life of a Showgirl is proof that even the biggest star isn’t immune to creative burnoutAmid the flood of discourse around Taylor Swift’s The Life of a Showgirl, one recurring sentiment jumped out: that the album – which many critics have declared a misstep in Swift’s otherwise consistently solid discography – felt hurried, hasty, rushed. “The Life of a Showgirl Is 40 Minutes of Elevator Music Rushed Out to Break a Beatles Record”, read the particularly savage headline of a piece on Collider. In the Guardian music desk’s excellent round table on the album, just about every panellist expressed a wish that Swift would take a break from the constant churn of releasing records, in order to recapture a lost spark.And it has been quite the churn. Since 2019 Swift has on average released an album a year, and that’s not counting the Taylor’s Version re-records of her older albums. All of this managed alongside a certain billion-dollar-gros...


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