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The Return review – Juliette Binoche and Ralph Fiennes bring fierce class to elemental Odyssey adaptation

Uberto Pasolini’s raw and urgent drama, from a draft by Edward Bond, sees a traumatised Odysseus face the shameful aftermath of warThe film world is on tenterhooks for Christopher Nolan’s forthcoming Imax-epic treatment of Homer’s Odyssey, but Uberto Pasolini’s fierce, raw drama of the poem’s final sections, describing Odysseus’s traumatised return to Ithaca after the sack of Troy, may well give Nolan something to live up to. Pasolini collaborated on the script with screenwriter John Collee, evidently developed from a draft playwright Edward Bond wrote in the 90s; among other things, this film deserves attention as the final work from Bond (who died in 2024).The Return is an elementally violent movie about PTSD, survivor guilt, abandonment, Freudian dysfunction and ruined masculinity. Juliette Binoche is the deserted queen Penelope, enigmatically reserving her opinions and dignity, refusing to believe the absent king is dead and declining to remarry as the island descends into lawle...


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