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The Original by Nell Stevens review – queering the Victorians

This flamboyant tale of fakers and forgery, straddling the turn of the 20th century, is a smart and witty investigation into love and authenticityWe become ourselves by copying others, whether dutifully or audaciously, in acts of homage or appropriation. What is education if not a prolonged process of copying, and isn’t the same true, Nell Stevens asks in her latest novel, of falling in love? Suddenly besotted with another young woman, her protagonist Grace begins to wear her scarf at the side of the neck as her lover does, and to feel “clearer and more deliberate and more like myself” as she does so. “When we fall in love with a person, we fall in love with the copy of them, inexpertly done, that we carry around with us whenever they aren’t there.”At its heart The Original has two strands of copying: both are preoccupations of the late-Victorian era the book is set in. There are the pictures made by Grace when she’s brought, penniless, to her uncle’s house aged 10 after her pa...


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